Denotation and evocation: for a legal melography
DOI:
https://doi.org/10.21119/anamps.51.15-36Keywords:
law & music, language, interpretation, authenticity, normativity.Abstract
Recently, we have witnessed the projection of the methodology and epistemological categories of the Law & Literature movement for the other arts and humanities. This work offers an approximation of the relationship between law and music in two movements: first, by analyzing the categorial taxonomy inherited from literary approaches to law (law of music, law in music and law with music); and second, a synchronic approach to address two aspects of the interpretation that the discourse of modernity places at the center of the question: the authenticity of the interpretation and the normativity of the texts that are the object of it.Downloads
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