“Ceci n’est pas un oiseau” – The judge as a critic and the work of art concept in tax law
DOI:
https://doi.org/10.21119/anamps.12.387-411Keywords:
art law, tax law, import tax over works of art, art theoryAbstract
“Art Work” is an elusive and mutable concept, object of dispute within philosophy and theory of art. Law regulates the practices and objects involved in artistic activities, and in order to perform its functions – protecting interests and settling disputes in a complex society –, it has to adopt operational and binding art work definitions. Based on these premises, the Brancusi v.United States case serves as a paradigm for a tax law study, with the aim of investigating the existence of legal concept of “art work”, identifying areas in which distinctive legal protection is bestowed upon objects classified as art and the tensions arising between the ever enlarging contemporary art definition and law’s need for certainty.Downloads
References
ADEODATO, João Maurício Leitão. Ética & retórica – para uma teoria da dogmática jurídica. 5. ed. São Paulo: Saraiva, 2012. 643p. [kindle]
BERGLUND, Adam. The tariff act of 1922. The American Economic Review, Pittsburgh, v. 13, n. 1, p. 14-33. Disponível em: <http://www.jstor.org/stable/1804045?origin=JSTOR-pdf>. Acesso em: 16 ago. 2015.
BURR, Sherri; DuBoff, Leonard; Murray, Michael D. Art Law – Cases and Materials. rev. ed. New York: Aspen, 2010. 675p.
CABAY, Julien. “Ce sont les regardeurs qui font les tableaux”: La forme conceptuelle d’une oeuvre d’art conceptuel em droit d’auteur. In: DEMARSIN, Bert; PUTTEMANS, Andrée (Dir.). Aspects juridiques de l’art contemporaine. Bruxelles: Larcier, 2013. p. 9-82.
DELAVAUX, Céline; VIGNES, Marie-Hélène. Les Procès de l’Art. Paris: Palette, 2013. 352p.
DEMARSIN, Bert. Que’est-ce qu’une oeuvre d’art em droit de douane? Anthologie des manifestations perturbantes et des juges perturbés. In: DEMARSIN, Bert; PUTTEMANS, Andrée (Dir.). Aspects juridiques de l’art contemporaine. Bruxelles: Larcier, 2013. p. 107-155.
ECO, Umberto. Arte e beleza na estética medieval. Rio de Janeiro: Globo, 1989. 244p.
EDELMAN, Bernard. L’adieu aux arts – rapport sur l’affaire Brancusi. Paris: L’Herne, 2011. 166p.
FERRAZ JÚNIOR, Tercio Sampaio. Introdução ao estudo do direito. 4. ed. São Paulo: Atlas, 2003. 370p.
GIRY, Stéphanie. An odd bird. Legal Affairs, September/October 2002. Disponível em: <http://www.legalaffairs.org/issues/September-October-2002/story_giry_sepoct2002.msp>. Acesso em: 15 ago. 2015.
GOMBRICH, Ernst Hans. Meditações sobre um cavalinho de pau. São Paulo: EdUSP, 1999. 246p.
KANTOROWICZ, Ernst. The Sovereignty of the Artist: A Note on Legal Maxims and Renaissance Theories of Art. In: De Artibus Opuscula XL: Essays in Honor of Erwin Panofsky. Nova York: New York University Press, 1961. p. 267-269. Disponível em: <http://www.archive.org/stream/ernstkantorowicz00reel03#page/n813/mode/1up>. Acesso em: 17 ago. 2015.
KEARNS, Paul. The Legal Concept of Art. Oxford: Hart, 1998. 216p.
KEARNS, Paul. Works of Art in EC Customs Law: The Problem of Photographs. International Journal of Cultural Property, Cambridge, v. 4, n. 2, p. 343-346, July 1995. Disponível em: <http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=1034940>. Acesso em: 18 ago. 2015.
KEARNS, Paul. Works of Art in EC Customs Law: The problem of the paperweights. International Journal of Cultural Property, Cambridge, v. 3, n. 1, p. 115-120, January 1994. Disponível em: <http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=1034356>. Acesso em: 18 ago. 2015.
LATITUDE. Manual de Importação e Exportação de Obras de Arte. São Paulo, 2013. 106p. Disponível em: <http://media.latitudebrasil.org/uploads/publicacoes/issuu/manualexportaca_1.pdf>. Acesso em: 10 fev. 2016.
MANN, Tamara. The brouhaha: when the bird became art and art became anything. Spencer’s Art Law Journal, Nova York, v. 2, n. 2, Fall 2011. Disponível em: <http://www.artnet.com/magazineus/news/spencer/spencers-art-law-journal-12-9-11.asp>. Acesso em: 18 ago. 2015.
ORGANIZAÇÃO MUNDIAL DAS ALFÂNDEGAS. What is the Harmonized System? Disponível em: <http://www.wcoomd.org/en/topics/nomenclature/overview/what-is-the-harmonized-system.aspx>. Acesso em: 17 ago. 2015.
PANOFSKY, Erwin. Idea: A evolução do conceito de belo. São Paulo: Martins Fontes, 1994. 268p.
PHILIPPOPOULOS-MIHALOPOULOS, Andreas. Beauty and the Beast: Art and Law in the Hall of Mirrors. In: Entertainment Law, Londres, v. 2, n. 3, Outono 2003. p. 1 – 34. Disponível em: <http://www.academia.edu/171171/Beauty_and_the_Beast_Art_and_Law_in_the_Hall_of_Mirrors>. Acesso em: 5 ago. 2015.
SHANES, Eric. Ideal forms: Brancusi the platonist. Apollo, Londres, n. 171.574, Mar. 2010, p. 108-116. Disponível em: <http://go.galegroup.com/ps/i.do?id=GALE%7CA223598088&v=2.1&u=capes&it=r&p=AONE&sw=w&asid=5b66cbb28db29806c36c31ba962a95ec>. Acesso em: 18 ago. 2015.
Published
How to Cite
Issue
Section
License
I grant the journal ANAMORPHOSIS the first publication of my article, licensed under Creative Commons Attribution license (which allows sharing of work, recognition of authorship and initial publication in this journaL - https://creativecommons.org/licenses/by/4.0/).
I confirm that my article is not being submitted to another publication and has not been published in its entirely on another journal. I take full responsibility for its originality and I will also claim responsibility for charges from claims by third parties concerning the authorship of the article.
I also agree that the manuscript will be submitted according to the journal’s publication rules described above.