Canon vs. Cannon – The Müller disassembly
DOI:
https://doi.org/10.21119/anamps.52.333-355Keywords:
Die Hamletmaschine, Hamlet, disassembly, Constitutional law, heritage, European history, socialism.Abstract
This paper defends the idea that the intertextuality of materials in Die Hamletmaschine can be read based on different machines (or machinations) present in Hamlet that are disassembled in the post-dramatic play by Heiner Müller. Thus, history and theater themselves, that is, the ultimate meaning of an engaged playwright, go through this disassembly process, which, in the end, is the disassembly of the prince from Shakespeare’s play himself. As a playwright, in turn, the prince is a programmer, a legislator, a constitution writer, a writer who is tensioned by contemporary politics.
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